Cada ensaio tem o estilo imposto sobre ele pelo seu assunto. Mas a dialética assunto/estilo, ou conteúdo/forma, problematiza tal afirmativa. É certo, o assunto se impõe sobre o estilo. Igualmente certo é que todo assunto é assunto apenas depois de ter sido assumido de uma forma ou outra. A desigualdade estilística dos presentes ensaios é, pois, consequência do jogo dialético pe...(展开全部)

Richard Conniff investigates the age-old question, are the rich different from the rest? It is true and he concludes that, indeed, they are completely different animals. In this book he offers with much sense of humor an insight into this unique social species, bringing to the surface their strategies of domination and submission, their exhibitionist behavior, and their hierarc...(展开全部)

Richard Conniff investigates the age-old question, are the rich different from the rest? It is true and he concludes that, indeed, they are completely different animals. In this book he offers with much sense of humor an insight into this unique social species, bringing to the surface their strategies of domination and submission, their exhibitionist behavior, and their hierarc...(展开全部)

More than any of their contemporaries, Swiss architects Jacques Herzog and Pierre de Meuron are challenging the boundaries between architecture and art. Natural History explores that challenge, examining how the work of this formidable pair has drawn upon the art of both past and present, and brought architecture into dialogue with the art of our time. Echoing an encyclopedia, ...(展开全部)

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作者 卡尔·齐默（Carl Zimmer），知名科普作家，在耶鲁大学教授科学和环境写作。他写过多本广受欢迎的科普作品，包括《演化》《在水的边缘》《万物身刻》等，曾于2007年摘得美国国家科学院科学传播奖（The National Academies Communication Award），这一奖项是该领域的桂冠荣誉。 译者 刘旸（桔子），毕业于北京大学，后于芝加哥大学取得分子、遗传及细胞生物学博士学位，九三学社成员，科学写作者、记者，科学松鼠会成员，果壳网吱扭App主编。与他人合著出版《当彩色的声音尝起来是甜的》《一百种尾巴或一千张叶子》《冷浪漫》等作品，另有译作《共情时代》《永生的海拉》等。